The San Francisco Fringe Festival is part of a long tradition of giving the stage to less mainstream indie performers. From slapstick to satire to the one-person show, Fringe performances are ones you are unlikely to see at A.C.T. or Berkeley Rep. This year’s line-up offers 30 choices.
Cat Brooks artfully presents the tragedy of Natasha (Tasha) McKenna, a woman with schizophrenia who was killed in police custody in Fairfax County, Virginia, in 2015. Representing her mother, one of the officers, the sheriff in charge, other characters, and most notably, Tasha herself, Brooks takes the audience on the journey that leads up to and includes Tasha’s death.
Actual footage from the events plays intermittently on screens between Brooks’s portrayals of different characters, never letting the audience forget that this is fact not fiction.
The most moving scene for me was Tasha’s mother after her daughter’s death. Her pain is so present and personal; yet set within the larger context of police violence against black people, we know that despite the specific details that make this case distinctive, it is a story that plays out far too often.
Through tears, I gave a standing ovation for Brooks as a playwright, a performer, a storyteller, and an activist. Afterwards, Brooks gave audience members the chance to ask questions in the limited time we had until the next show needed to set up. I think we were all glad that we had that time to process, if just for a few moments, before going back out into the world.
I was disappointed that the small house at Exit Theatre wasn’t full. Everyone should see this piece. I think it deserves a longer life than its four showings at the festival and hope it finds a home on one of the bigger stages in the Bay Area.
If you see only one SF Fringe performance, let it be this one.